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Integrations · Neighboring rights

The recording gets paid,
too.

When your recordings are played on radio, in public or on streaming, neighboring-rights societies collect for the master and the performers. Reprtoir reads those statements and reconciles them against your recordings — so this income lands as clean, matched data, not another format to decode.

Master-side income, matched to your recordings by ISRC and ready to split.
How it works

From their statement to your recordings.

Every neighboring-rights society reports differently, territory by territory. Reprtoir maps them into one consistent ledger, matched to your catalog by ISRC — so the income reconciles against the right recordings automatically.

Neighboring rights vs authors' rights

The recording, not the song.

Master-side income — a different right, a different flow.

Neighboring (or related) rights pay the owners of the recording and the performers on it, for the public use of that recording. That's distinct from authors' rights, which pay the writers and publishers of the underlying song. There's no CWR here — this is the master side. Reprtoir handles both, in their own categories, so each reconciles against the right catalog.

Looking for authors' rights, PROs or CWR? → Collecting societies
Statements we process

We already read what your neighboring-rights societies send you.

From the big collectors to regional societies — Reprtoir maps their statements so your master-side income reconciles itself.

PPLSoundExchangeSCPPSOPROQIPFConnect Music Licensingand more

Neighboring-rights royalties reconcile alongside your distribution and publishing income, in the same catalog.

Why it matters

Income that's easy to miss, finally accounted for.

Collect what your recordings earn.

Whatever your neighboring-rights societies send you, Reprtoir reconciles it against your recordings by ISRC — matched, split, and ready to pass through to master owners and performers.