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South Korea’s collective management organisation for authors, composers and music publishers, founded in 1964.
Reprtoir exchanges CWR with KOMCA in both directions — register your works and take in their filings, with controlled and uncontrolled shares mapped the way the standard expects, so nothing is re-keyed.
KOMCA (Korea Music Copyright Association) is South Korea's principal collective management organisation for musical works, established in 1964. It administers the economic rights of lyricists, composers, arrangers and music publishers, covering public performance, broadcasting, online transmission, reproduction and distribution of songs and compositions.
KOMCA became a full member of CISAC in 1995 and was elected to the CISAC board in 2019. Reflecting the global growth of Korean music, the association represents tens of thousands of members and trust-contract holders, and maintains bilateral reciprocal agreements with counterpart societies worldwide so that Korean rights holders are paid for uses of their works abroad.
The society operates a digital distribution system and, in recent years, has collected and distributed several hundred billion Korean won in music royalties annually. It licenses users, collects the royalties due and passes them on to rights holders after costs.
KOMCA is the collective management organisation for authors, composers and music publishers in South Korea, founded in 1964. It licenses the use of musical works, collects the royalties due and distributes them to its members.
Yes. Reprtoir sends and receives CWR with KOMCA in both directions — register your works and take in their filings, matched to your catalog, with controlled and uncontrolled shares mapped the way the standard expects.
Not by Reprtoir. Your data and stable identifiers stay yours and portable. Any commitment to KOMCA is governed by your own membership with KOMCA, not by Reprtoir.
Reprtoir works with distributors, DSPs, collecting societies and more — from one catalog, with no lock-in.
Exchange CWR with KOMCA, keep your splits mapped the way the standard expects, and keep your catalog free to move — one platform, no lock-in.