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Norway’s collective management organisation for authors, composers and music publishers, founded in 1928.

Reprtoir exchanges CWR with TONO in both directions — register your works and take in their filings, with controlled and uncontrolled shares mapped the way the standard expects, so nothing is re-keyed.
TONO is Norway's performing-rights organisation, administering the public-performance and communication rights of musical works on behalf of composers, lyricists and music publishers. Founded on 27 November 1928, it is a member-owned, non-profit society headquartered in Oslo and a member of CISAC, with reciprocal agreements with around 60 societies worldwide.
TONO collects and distributes royalties for all public use of music in Norway — broadcast, digital streaming, live events and background music — for both Norwegian and international repertoire. Mechanical rights for the Nordic region are handled separately by NCB, of which TONO's member community is a stakeholder.
The society represents tens of thousands of members and distributes collected royalties to rights holders after an administrative deduction, with no membership fee.
TONO is the collective management organisation for authors, composers and music publishers in Norway, founded in 1929. It licenses the use of musical works, collects the royalties due and distributes them to its members.
Yes. Reprtoir sends and receives CWR with TONO in both directions — register your works and take in their filings, matched to your catalog, with controlled and uncontrolled shares mapped the way the standard expects.
Not by Reprtoir. Your data and stable identifiers stay yours and portable. Any commitment to TONO is governed by your own membership with TONO, not by Reprtoir.
Reprtoir works with distributors, DSPs, collecting societies and more — from one catalog, with no lock-in.
Exchange CWR with TONO, keep your splits mapped the way the standard expects, and keep your catalog free to move — one platform, no lock-in.