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SEO title : Reprtoir » A workspace that helps music industry companies manage and grow their business.
meta : Reprtoir is an intuitive software designed for music businesses, and fully personalizable to let customers design the best workspace for them and their teams.
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title : Music Catalog Management Software (CMS) | Reprtoir (50 car.)
meta : Manage your entire music catalog in one CMS: masters and works, rights, contributors and metadata — structured, linked and always in sync across your team. (155 car.)

— Aperçu de CONTENU (rythme & densité). Le design final = blocks shadcnblocks. Mise en page neutre volontaire. — ← toutes les pages

Reprtoir Workspace

Where your team runs
the business, every day.

Catalog, rights, royalties and people — in one place your team actually works in. From A&R to finance, everyone reads the same data, not five exports.

Recording and publishing, masters and works — one interface, one source of truth.
Not a folder. A system of record.

Not file storage. A structured system
where everything is linked.

Most teams run their catalog as a pile of folders and spreadsheets, then spend their days keeping copies in sync. Reprtoir is the opposite: tracks, albums, works, contracts, splits and contributors are structured and linked — so a change in one place is right everywhere. Your catalog stops being an archive and becomes the entry point for your whole business.

Change it once. It's correct everywhere.
Every universe, one interface

Masters and works. One workspace — not two.

The industry keeps recordings (labels) and works (publishers) in separate tools. Reprtoir holds both in the same interface, on the same data — the same contributors, the same contracts, the same rights chain across your entire catalog. Make your catalog the entry point for all your music business — and make it about music, not admin.

One data model, purpose-built for music. Not a generic database bent to fit — three kinds of records, linked the way the industry actually works:

Assets

Albums, Tracks (sound recordings), Works and Videos — the things you own and exploit.

Contributors

Artists, Record Labels, Songwriters and Publishers — the people and companies behind them.

Properties

Catalogs, Tags and Tag Categories — the structure you organize and slice everything by.

What's inside

Everything your team runs the catalog with — in one place.

And because navigation and common actions work the same way everywhere, once you know how to use one feature, you know how to use them all.

See your own catalog running in one workspace — masters, works and people in a single system.

Book a demo
Hear your catalog

A real audio player, built into the catalog.

Every track streams instantly from its record — an ultra-fast player that delivers encrypted audio with low latency, from anywhere. No downloads, no waiting, no separate tool.

Waveform seekClick anywhere on the detailed waveform to jump straight to that moment in the song.
Best segment, picked by AIReprtoir cues the most representative part of each track automatically — or set a default start point. Play at 128 or 320 kbit/s.
Keyboard shortcutsControl playback hands-on and keep moving through your catalog without touching the mouse.
Built on the industry's standards

Music standards, native — not bolted on.

DDEX, ISRC, ISWC, IPI and CWR are supported natively. Add custom fields for your own internal workflows, and export consistently for DSPs and distributors — no reformatting, no surprises downstream. Reprtoir wasn't a generic database retrofitted for music; it was built for it from the ground up — so you get a dedicated music system out of the box, instead of building and maintaining a costly in-house CMS, or bending a generic ERP to a job it was never meant for.

Built for scale

From your first release to your largest catalog.

Bulk-editthousands of assets at once.
Custom fieldsthat match your workflows.
Role-based accessfor every team, across multiple organizations.

Your catalog, always yours.

Everything is exportable — metadata, contracts, audio, via CSV/Excel or the API — any time, with no penalty to leave. Public pricing, full-featured trial, cancel anytime. A real SaaS, built for the long run — backed by a profitable music business.

In their words

In their words.

“We were running the label in one tool and publishing in another, reconciling by hand. Now masters and works live in the same workspace, on the same data — A&R, catalog and finance all read the same records instead of five exports. One system replaced two.”[Head of Operations] — [Label & publishing company] · verbatim cible — à recueillir
FAQ

Workspace questions, answered.

Can we really manage masters and works in one place?

Yes. Recordings (labels) and works (publishers) live in the same interface, on the same data — the same contributors, contracts and rights chain across your whole catalog. No switching tools to see the full picture.

How hard is it for our team to pick up?

Navigation and common actions work the same way everywhere, so once you know one feature you know them all. Most teams are productive quickly, and onboarding help is available if you want it.

Can we bring our existing catalog in?

Yes. Bulk import tools — Release Importer and Reprtoir Sheets — onboard entire catalogs at once, from spreadsheets, CWR, audio and more, rather than track by track.

If we leave, can we take our data with us?

Always. Metadata, contracts and audio stay exportable via CSV/Excel or the API, any time, with no penalty to leave. You remain the sole owner of your data.

Will it hold up as our catalog grows?

Yes. Bulk-edit thousands of assets at once, add custom fields for your workflows, and give each team role-based access across multiple organizations — built to run from your first release to your largest catalog.

The workspace is the foundation —
the rest of the platform builds on it.

Search, sharing, delivery and royalties all read from this single source of truth. One login, one bill, one catalog.